Les Cahiers de Calligraphie Et de Typographie Jan Van de Velde Dit L Ancien
Les Cahiers de calligraphie et de typographie présentent des manuels, traités ou oeuvres originales de calligraphie et de typographie, à l'attention des amateurs comme des professionnels. Ce volume numéro 1 présente les fac-similés en grand format pleine page d'une centaine d'exercices et de démonstrations du célèbre maître d'écriture Jan Van de Velde l'Ancien, initialement réunis dans l'édition originale de 1605 de Deliciae variarum, insigniumque scriptuarum. Bien que Jan Van de Velde l'Ancien soit néerlandais, il enseignait le français et écrivait beaucoup dans cette langue, comme c'est le cas pour toutes les prouesses calligraphiques présentées dans cet ouvrage.
Typographic Communications Today
Looks at the ways in which typography can be used in advertising, film posters, book covers, product packaging, and television graphics, and discusses modern types
American Art Deco
A stunning, illustrated survey of Art Deco architecture throughout America celebrates sevety-five innovative guilding that reveal not only the finest principles of Deco design but also a regional individualism that typifies the best in Art Deco style.
Art Nouveau Designs
Part of a seriesThe designs and patterns are copyright freeThe designs can be used by all artists, embroiderers, craftspeople, etc.Art Nouveau is a popular theme* Judy Balchin is a Search Press author, with a high profile.
A Book Concluding with As a Wife Has a Cow
Gertrude Stein A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de A Book Concluding with As a Wife Has a Cow Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
De Singes Et de Mouches
Poetry. Translated from the French by John Taylor. In the field of contemporary French poetry, Jacques Dupin (b. 1927) is a leading figure in a remarkable generation that also includes Yves Bonnefoy (b. 1923), Philippe Jaccottet (b. 1925), Pierre-Albert Jourdan (1924-1981), André du Bouchet (1924-2001), and Pierre Chappuis (b. 1930)—to mention only these five poets whose poetics and subject matter are remotely comparable. However, in contrast to Bonnefoy and Jaccottet especially, Dupin's work has been little available in English. A single substantial volume, Selected Poems (Wake Forest University Press, 1992; translated by Paul Auster, Stephen Romer, and David Shapiro), collects early work, but none of the poet's recent verse has appeared in English-speaking countries. Two pioneering anthologies dating back some forty years, respectively to 1970 and 1973—the poems from Gravir (To Climb) in the seventh issue of Cronopios (to which six translators contributed) and the Fits and Starts: Selected Poems of Jacques Dupin rendered by Auster for the second number in the Living Hand Editions series—provide more access to Dupin's challenging oeuvre, yet several of those renderings were reprinted (sometimes with revisions) in the aforementioned Selected Poems. All told, these three initial gatherings have given a good look that can now be prolonged.
A Theory of Parody
In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect--for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.
Drawing inspiration from John Cages Notations, Notations 21 features illustrated musical scores from more than 100 composers from every continent, all of whom are making amazing breakthroughs in the art of notation. These spectacularly beautiful and fascinatingly creative visual pieces not only make for exciting music, but inspiring visual art as well. Every score is accompanied by written contributions from the artists, which explain how the music manifested visually. Included in this anthology are famous composers such as Karlheinz Stockhausen, Steve Reich, Yuji Takahashi and Kathleen St. John, as well as lesser-known but no less important composers whose compositions are also visually astounding and important. Notations 21 coincides with an exhibit and concert series that will open at the Chelsea Art Museum in New York City and then move across the globe. In the spirit of honoring John Cages book, while furthering it in a 21st century context, a portion of this books sales will be donated to the Foundation for Contemporary Performing Arts.
Public and Private Life of Animals
J. Thomson A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Public and Private Life of Animals Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Barks and Purrs
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.